2026
A sound work meditating on identity, memory, and what remains when recollection fades.
→2024
A sonic portrait of place and community — tracing the traces left behind by those who lived, loved, and moved on.
→2023
A sound walk exploring how different species assign meaning to sound, our relationship to linear time and space, and how the Fermi Paradox may be applicable to more than just aliens.
→2020
A site-specific audio walk responding to the resonant architecture and layered histories of MacKay Church.
→2018
A concept album mapping imagined futures through sound — a sonic cartography of possible worlds drawing on electronic composition, field recordings, and spatial audio.
→2017
An immersive, spatialized locative sound piece exploring memory, place, and identity through adolescent recollections of a small Ontario town.
→2024
An AR experience layering a digital realm over physical landscape, drawing on hiraeth — an untranslatable Welsh longing for a home you can’t return to.
→2023
An AR project bringing a public mural on the shore of Lake Huron to life, reflecting the natural energy and organic rhythms of the surrounding environment.
→2021
A public art activation using augmented reality to share the personal stories of local residents and their dogs in Hamilton’s Durand neighbourhood.
→2021
An AR project exploring the relationship between sight and sound by creating intentional contrasts between visual and auditory inputs.
→2017
An electronic literature experiment drawing on real childhood dreams to examine imagination, memory, and a child’s interpretation of reality.
→2017
A fractal reminiscence of a romance across space and time — delivered in fractals with intentional gaps the user fills based on their own experiences.
→2015
A locative storytelling piece commissioned for World Pride Toronto, centering on Chez Moi bar and a pivotal moment in Toronto’s lesbian bar scene.
→2014
A magic-mirror AR installation overlaying 3D models, video, poetic spoken word, and soundscape onto objects at the Markham Museum site.
→2013
An AR piece exploring the story of Eva through fractal and forensic narrative — imagining that objects could absorb and hold memories.
→2026
A poetic hypermedia narrative experiment disguised as a bureaucratic department — collecting, classifying, and expressing the data of human feeling.
→2025
A multi-format documentary project exploring climate justice in African Nova Scotian communities through feature documentary, podcast series, and educational video resources.
→2023
A Words & Music project weaving interviews with spiritual leaders and jazz improvisations into explorations of curiosity, gratitude, and presence.
→2023
A virtual reality experience bringing together the Haudenosaunee creation story with the urgent contemporary issue of water insecurity on Indigenous reserves.
→2020–Present
An interdisciplinary arts project activating the sensorium through soundscapes that engage with the idea of placemaking in architectural and natural spaces.
→2019
Immersive projections, AR hotspots, a Sensorium Activation Zone, and more — exploring the spaces of otherness when real and virtual collide.
→2010
An intercurrent (occurring during the progress of another) music and visual media piece composed for live ensemble in a feedback loop process.
→Working at the intersection of imagination, digital media & human experience.
My work as an educator, creator, organizer & producer is focused on developing meaningful experiences for audiences, learners & dreamers.
My practice spans augmented reality, virtual reality, location-based sound, documentary, and electronic music, and it asks what it means to listen, to remember, and to be present — in places both physical and virtual.
My projects have been exhibited internationally, including at Lydgalleriet in Bergen, Norway, and the Electronic Literature Organization Conference. I am committed to work that features underrepresented voices.
I’ve taught university courses that include: Podcasting: The Art & Craft of Audio Storytelling; Making Media; Exploring XR; Cross-platform Storytelling; Fourth-Year Thesis Media Projects Supervision; Research Methods for Digital Media; Narrative Strategies; and Introduction to Interactive Communications at York University, University of Niagara Falls, University of Guelph-Humber, Queen’s University and McMaster University.
How technology is changing the 1400-year-old tradition of the Islamic call to prayer — drawing on fieldwork in Istanbul and Western Anatolia to examine the push and pull of aesthetics, modernity, and politics.
How location-aware listening creates dynamic hybrid spaces — exploring the convergence of physical place, sonic experience, temporality, and virtual embodiment in locative audio art.
Sound mediating technologies as tools for connection, engagement, and manipulation — tracing mediated listening from prehistoric cave resonance through contemporary mobile audio.
On AR, VR, and technologically-mediated consciousness — arguing that the mediation itself may be the message.
Developing a theory of hybrid aurality — how listening through technological mediation creates new forms of presence, community, and experiential immersion.
Panel discussion on the democratization and implications of mobile-based augmented and virtual reality for artists, educators, and cultural institutions.